Finally understanding he was going blind,
my father would stay up all one night
waiting for a song, a ghost.
I gave him the persimmons, swelled, heavy as sadness,
and sweet as love.
This year, in the muddy lighting
of my parents' cellar, I rummage, looking
for something I lost.
My father sits on the tired, wooden stairs,
black cane between his knees,
hand over hand, gripping the handle.
He's so happy that I've come home.
I ask how his eyes are, a stupid question.
All gone, he answers.
Under some blankets, I find three scrolls.
I sit beside him and untie three paintings by my father:
Hibiscus leaf and a white flower.
Two cats preening.
Two persimmons, so full they want to drop from the cloth.
He raises both hands to touch the cloth,
asks, Which is this?
This is persimmons, Father.
Oh, the feel of the wolftail on the silk,
the strength, the tense
precision in the wrist.
I painted them hundreds of times eyes closed.
These I painted blind.
Some things never leave a person:
scent of the hair of one you love,
the texture of persimmons,
in your palm, the ripe weight.
From Persimmons, Li-Young Lee
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